Easier Is Not Easier

//The Cello Lesson Comedy Show (8)//

Like most music students, I resisted practicing Etudes. They are difficult and boring.  Only in recent years that I finally gave in and picked up the infamous Alvin Schroeder’s 170 Foundation Studies for Violoncello. I usually just flip through the pages, then randomly settle on certain page to work on. So just like any other normal day, I flipped through the pages again. Then I froze.

Me: [Pointing to Dotzauer Op 120 No. 12] This was the one you asked me to play many years ago and I could never get It to work. Why did you give me this instead of this? [Flipping to the page of Dotzauer Op 120 No. 7]

Teacher: It makes perfect sense. No. 12 is an easier piece to learn double stop.

Me: It makes no sense. No. 12 is much harder than No. 7 to work with. Back then when I listened to you, no matter how hard I tried, I just couldn’t get through No. 12.   

Teacher: But No. 7 is technically more difficult.

Me: But No. 7 makes more sense. How can I work on something if it doesn’t make sense? Maybe it’s more difficult, but so what? If I can’t play the slur, then I focus on getting separate bowing to work first. If I can’t play double stop yet, then I focus on getting the upper and lower lines to work separately first. At least this piece gives me so much more to work on.

Teacher: *Head Shaking* Be my guest…

Friedrich Dotzauer, 18 Exercises for Cello, Op.120 (Upper: No.7 ; Lower: No. 12)
Publisher: Steingräber Verlag, Leipzig, n.d. (ca.1900). Plate 825.
https://imslp.org/wiki/Special:ReverseLookup/57213

 

PS. I have been working on No. 7 for ages now (if not for a year then at least 6 months). I still have a long long way to go. True that I have yet to be able to play the piece decently, but it has been more enjoyable (and painful) to experience the tiny discoveries every week or 2.

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