How It All Began

Prologue

October 14, 2013. That’s the day when I played cello in front of strangers for the first time at a cello student concert. And why am I writing about this now, almost 6 years later? Strangely enough, to this day, I am still discovering more and more about what I have gained from this experience. Before my memory fails me, I’d better write this down as a keepsake. OK, actually my teacher has been nagging me about the benefits of keeping notes of my study too.

//Checkpoint (1)//

How It All Began

This all started, about 6 months before the concert, when my teacher asked me if I would be interested in participating in the concert. To be honest, performing in public has never been my forte. But I felt I needed a checkpoint at that stage of my cello study. Considering my teacher would be playing together with me on stage, this seemed doable. So during the week after, I spent hours on YouTube every night looking up duet pieces that I might be able to handle technically. But more importantly, a piece that touched me. And that’s when I came across this video, Prelude by Dmitri Shostakovich performed by 2Cellos.

Next, I needed to find the score. At the time I was only able to find a copy of the violin version, Prelude from Five Pieces for Two Violins and Piano. Then some folks in a music forum mentioned one could just transcribe the violin version into cello version by moving it one octave down.

So I went to a nearby stationery store and bought a manuscript notebook for 5 dollars. First, I used a pen to draw the vertical lines to separate the bars and to group the First and Second cello sections. Then I used a pencil to draw each note. It took me several hours that night to finish this.

Figue 1. Transcribed Score

Figure 1. Transcribed Score

With the score in hand, I eagerly went to my next cello class, and showed my teacher the 2Cellos video and the hand-written score. He agreed it was a good choice. But he pointed out that the First cello part didn’t need to be moved down by one octave as it would not sound compatible. “Oops!” Then he suggested I played the Second cello part. “Oh…” Needless to say, I was a bit disappointed. But believing my teacher must have a good reason, I reluctantly replied “O…kay” and moved on.

2014: The First Concert

//The World Came to Me (2)//

 

Immediately I froze when I noticed the cover of the oldest program booklet. The concert was French cellist Edgar Moreau playing Shostakovich Cello Concerto No. 1 with Hong Kong Sinfonietta in April 2014.

 

PROGRAM

Stephen Yip  / Ink. Colour
Shostakovich / Cello Concerto No 1 in E-flat, Op 107
Prokofiev / Symphony No 7 in C-sharp minor, Op 131

Video of the event posted by Hong Kong Sinfonietta.

Shostakovich Cello Concerto No. 1 meant a lot to me as it started my music journey. My cello teacher used to show me all sorts of music videos on his iPad, and then asked me about my thoughts. To be honest, he got so much fun out of this “game” that sometimes I felt like his lab rat! Anyway, one day some years ago as he was flipping through different videos on his iPad as usual, I stopped him. “Wait! Who is this guy?! He is so cool. His style is so much like mine!” I tried to note down the cellist’s name in my head. Then when I got home, I searched for his videos. And then I saw a video of him playing Shostakovich Cello Concerto No. 1 (https://youtu.be/RKVU6TzM8gg). I couldn’t take my eyes off the video and I could feel my blood boiling in my veins.

I had never heard of a composer named Dmitri Shostakovich before. (Yeah, that tells you how little I knew about music back then and probably still now.) I spent many nights searching for videos of this concerto played by different cellists. And after watching countless of videos, I still thought this guy was the coolest.

Anyway, coming back to this concert booklet, I got very excited when I spotted a poster of this upcoming concert in the subway station. It would be the first time I watched a live performance of this concerto. I still remember Teacher teasing me, “You are going to this concert just to confirm this concerto is your destiny, aren’t you?” I enjoyed the concert very much that night. Since I have watched the video of this concerto so many times already, I could fully immerse in the piece as the young cellist was playing on stage. (A side note: In 2019, 5 years after this concert, I got to see this young cellist and the cool guy playing together at a music festival. Quite an interesting sight!)

During concerts I usually made notes either on a palm sized notepad or on a page of the program booklet. Afterwards, I would spend most of my next meeting with Teacher discussing these observations and questions I had. Often these questions were kind of dumb such as “Why is the Oboe being used to tune the orchestra?”, “How come they keep the lights on at one venue but off at another venue?”, “How come the cellists in the orchestra sit in the middle this time?”,etc.

And yes. This concert did confirm my belief at the time that Shostakovich Cello Concerto No. 1 was my destiny. But more unexpectedly, the experience from that night opened the pandora box for me. “What else is out there?”

Housekeeping

//The World Came to Me (1)//

Last week I noticed it was getting harder and harder to place my cello practice book back onto the shelf. I had to push the book really hard into the stack which got me thinking, “Hmm… Maybe it’s time to do some housecleaning.” The bulk of this space was actually taken up by all the program booklets from the concerts or art shows that I attended locally. “Let’s take the pile out and see what we got here.”

I started sorting them chronologically by event dates and then grouped them by year. Interestingly, the largest number of booklets collected were between 2014 and 2016. Then the number decreased drastically since 2017. Turned out there was a good reason behind this, but that’s another story to tell. So let’s check out what we had in the year 2014 pile.

柏林愛樂十二大提人@台北、高雄

The 12 Cellists of the Berlin Philharmonic / Die 12 Cellisten der Berliner Philharmoniker

Die 12 亞洲巡迴不來香港,很失望,唯有追星到台灣,順便來個小旅行。

昨晚(11日)在高雄至德堂的音樂會極好。場外直播,聽世界頂尖的音樂不是有錢人的專利。十二大提人到場外最後安歌,悶熱的夏夜,六千個熱情的觀眾。相當難忘。

繼續追星:今晚(12日)在台北國家音樂廳聽柏林愛樂十二大提人,開心。

是晚場外是雲門舞集的免費演出,還是用 Bach Cello Suite 的《水月》,真係黎明話齋:手掌又係肉,左手又係肉。這幾千人真幸福。

關於節目本身,也必須說說。台灣的主辦單位是有心的大提人張正傑,在兩場都畀貼士觀眾,以免失禮。而十二大提人表演的除了首本名目,也特地和八十歲(中氣十足)的台灣國寶第一苦旦歌仔戲廖瓊枝老師 crossover 了一支歌。雖則我不大會欣賞,但算是見識見識,廖瓊枝出場時那股氣場實在是不得了,觀眾也起立致意。至於十二大提人,十二人十二琴,不單個個劈得,竟然音色都可以這麼一致,聲音的諧和與美妙,令鄰座的大男人都流下淚來。

> 柏林愛樂大提琴 廖瓊枝哭調跨界
> 我最喜歡 Die 12 的歌之一:Fauré 的 Pavane:

Preisner 談奇斯洛夫斯基 on Kieślowski

曾想象 Krzysztof Kieślowski 找到 Zbigniew Preisner,會唔會好似宮崎駿遇到久石讓呢,不過,應該都係諗多咗。

(竟然是)自學音樂的波蘭配樂大師 Preisner 談奇斯洛夫斯基,談他們的相識、合作,談電影配樂,字字珠璣的專訪 (2006),全長約 22 分鐘。寸嘴的 Preisner 說奇斯洛夫斯基五音不全,唱 Jingle Bells 唱到好似 Silent Night 咁,但他明白電影配樂的功能,並且無畏的使用之。Preisner 歎謂電影的最好時代經已過去,世上亦再無大師。

Karajan – the Second Life

我是看到這隻碟是新出,圖書館剛入,而率先借閱,沒多經思考。看完整隻碟後,才明白 The Second Life 這個題名多麼有意思和  powerful。

從小知道卡拉揚 (Herbert von Karajan, 1908-1989) 好有型(女神 Anne-Sophie Mutter 在片中話齋,佢食碟沙律都有型過人),和柏林愛樂關係密切。後來知道他是史上錄音出碟最多亦賣碟最多的古典音樂家。總之見到他聽到他,都是拿著指揮棒。這片展示的,更著重在錄音室的卡拉揚是怎樣的人,以及在後期製作中他的參與,以描述 “music recording as an autonomous work of art” 這個常被忽略的事實 (導演 Eric Schulz)。

這片有很多從未公開的 footage 以及錄音聲帶,包括卡拉揚和聲音工程師的對話。記得某一段錄音中有聲部稍有奏錯,卡拉揚覺得整體效果很好,就竟然話,唔緊要,尐人唔會聽到 -_- 。但當然這不是說他求求其其,反而他對於錄音要執整的地方處理得非常仔細。他希望讓聽眾聽到在指揮席才聽得到聲音--而這聲音是音樂廳裡任可一個位置都聽不到的。 “Only in a recording, and note if you sit in the hall, do you gain an impression of the sound that the conductor heard on the podium.” (H v Karajan)

卡拉揚七十多歲時,第一隻音樂 CD 才面世,但顯然他對新科技很雀躍。我懷疑他若仍然在世,一定在 facebook 很活躍,又或者沉迷電子音樂。他走得早,也走得好,留下了錄音和 legacy--繼續活著。

>如有興趣,可在柏林愛樂的 Digital Concert Hall「買飛」限時上網睇,或者買碟,全長 80 分鐘。